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Biography
Leroy Jenkins began his violin training as a child, received a B.S. in Music Education from Florida A&M University in 1961, and then taught music in the schools of Alabama and Chicago. Having studied classical violin, he was also influenced by the great jazz masters, and found a way to meld the two influences when he joined the Association for the Advancement of Creative Musicians, a pivotal Chicago organization which originated a vibrant new form of creative improvised music, drawing worldwide recognition.
Moving to Paris in 1969, Jenkins toured Europe with his first group, The Creative Construction Company of Chicago, with Anthony Braxton and Leo Smith. In 1970, he came to New York and formed another cooperative, The Revolutionary Ensemble, a trio of bass, violin, and drums, which toured internationally to critical acclaim, and went on to record five albums. He also developed his solo compositions and premiered his first works in this format at a concert at the Washington Square Peace Church in Greenwich Village.
In the '70s and '80s Jenkins received major support for music composition with many grants and commissions for chamber ensemble, orchestra, dance, and theater from the National Endowment for the Arts, the New York Foundation for the Arts and the New York State Council for the Arts. During this period, in addition to touring as a soloist and with various instrumental groups under his leadership, his music was performed by the Brooklyn Philharmonic, the Albany Symphony, the Cleveland Chamber Symphony, the Kronos Quartet, the Dessoff Choirs, the Pittsburgh New Music Ensemble, the New Music Consort and Relache, among others.
Jenkins toured and held residencies at many American universities including Oberlin, Bennington, Harvard, Brown, University of Michigan, Williams, Carnegie Mellon and Duke. In 2001 Jenkins was guest professor at the California School of the Arts.
Jenkins was a respected composer/master teacher/performer at organizations such as the Della Rosa of Portland,Tom Buckner's Interpretations series in New York, the American Composers series at the Kennedy Center, the Atlantic Center for the Arts, the Atlanta Virtuoso, and the First American Violin Congress (Artistic Director: Sir Yehudi Menuhin).
He served on the Board of Directors of Meet the Composer in New York for twenty five years, and as Artistic Director and Board Member of Composers' Forum. He recently served on the board of the Atlantic Center of the Arts. He sat on many panels for music including the Rockefeller Foundaton, the National Endowment, the Herb Alpert Foundation, The Bush Foundation, The Pew Charitable Trusts, New York Foundation for the Arts, and the New York State Council for the Arts. He placed numerous times in critics' and readers' polls in Downbeat and Jazz Magazine.
In 1989 Jenkins was commissioned by Hans Werner Henze for the Munich Bienale New Music Theater Festival to write the opera/ballet, Mother Of Three Sons, choreographed and directed by Bill T. Jones. It premiered in Munich and was later staged by the New York City Opera, the Houston Opera, and was broadcast on German television. In 1992 he was awarded a Bessie (New York Dance and Performance Award) “for the lyrical, intricately constructed river of jazz and opera”.
In groupings from solo to chamber orchestras, Jenkins has recorded 27 albums/ CD's, ten of which have been reissued. Recent touring groups are Equal Interest, a trio with violin, piano, and woodwinds formed in 1999). The British Arts Council commissioned its members to write pieces for the group and nine British musicians which were performed on a ten city tour of England. Jenkins also toured with dancer Felicia Norton (solo violin and dancer) and was commissioned twice by the Lincoln Center's Out-of-Doors Series for collaborations with choreographers Molissa Fenley and Mark Dendy.
Other recent projects were a commissioned piece for tenor, baritone, and brass quartet which was performed at Merkin Hall as part of the World Music series in New York, in San Francisco and at North Florida State University. In 1998, the Cleveland Chamber Symphony performed and recorded Wonderlust, his piece for chamber orchestra and two soloists. During the spring semester of 2001 Jenkins was Artist in Residence at the California Instute of Arts. He has also been at the Other Minds Festival in San Francisco, the Contemporary Museum in New Orleans, the Chicago Jazz Festival, as well as international jazz festivals in Portugal, Sardinia, and Canada.
In the late 90's Jenkins was commissioned to write several music/theater pieces. Fresh Faust, using rap artists, was presented in workshop at the Institute of Creative Arts in Boston. The Negro Burial Ground, a cantata, was presented in workshop at the Kitchen Center in New York. Coincidents, an oratorio, was presented in workshops by Roulette and 651 Arts. A later work, The Three Willies (2001) was presented at The Painted Bride iin Philadelphia, and at the Kitchen Center. These efforts were supported by The Rockefeller Foundation, The New York State Council of the Arts, and The Guggenheim Foundation. He was an Artist in Residence at California Institute for the Arts. In 2003, he was awarded a composition grant from Harvard's Fromm Foundation. In 2004, Jenkins was the recipient of a Guggenheim Fellowship. Most recently, he toured with the Revolutionary Ensemble and Equal Interest.
OPERA America/Opera.ca Grants Awarded
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| GRANT NAME | YEAR | Opera for a New America | 1991 |
Productions
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Artist Information
All information is derived from OPERA America's Season Schedule of Performances and titles databases which date back to 1991. OPERA America is constantly updating this data. If you feel that a work or an artist has been omitted or that information is incorrect, please use the linked forms below. Title Information Form Artist Information Form
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