Login      
Sidney Corbett
Composer

Biography
Sidney Corbett was born in Chicago in 1960, the son of a Jewish mother and a Catholic father, though he grew up without a religious upbringing. At the end of 1968 the family moved to Los Angeles, California, and from 1974 he began to learn the electric guitar and play in various bands - first blues and rock, later jazz fusion. In 1977, Corbett began writing his first original compositions, short piano pieces in quartal harmony. "For me, the guitar fretboard of was a very small universe," he once said in a SWR feature about his work, "the world is much larger place." This realization led him to study music, philosophy and composition at the University of California, San Diego (UCSD) and then at Yale University, where he earned his doctorate in 1989 with a thesis on Edgar Varèse's "Hyperprism." His teachers included Pauline Oliveros, Bernard Rands, Frederic Rzewski, Jacob Druckman, Martin Bresnick, and Morton Subotnick. Personal encounters with Toru Takemitsu and John Cage also made a lasting impression on the young composer. Finally, from 1985 to 1988, he was also a member of György Ligeti's Hamburg composition class, certainly his most formative influence. Exceedingly strict, Ligeti demanded not only impeccable craftsmanship but also individuality and constant questioning of all aspects of art.

Although Corbett composes for all genres - orchestral music, chamber music, vocal music - a significant portion of his musical output is devoted to music theatre. Often based on literary sources, Corbett enjoys working with contemporary authors, such as Christoph Hein and Brazilian poet Simone Homem de Mello. In 2001, "Noach," Corbett's first major opera, based on an original libretto by Christoph Hein, premiered at the Bremen Theatre. This was followed by the chamber opera "Keine Stille (außer der Windes)", on texts by Fernando Pessoa, arranged by Simone de Mello, which also premiered in Bremen, in 2006. This work will be presented at the National Theater Mannheim in a new production in 2022. In 2012, "UBU: A Grotesque" after Alfred Jarry, again based on a libretto by de Mello, was created for the Musiktheater im Revier Gelsenkirchen, and in 2013 "Das große Heft" after the novel by Agota Kristof with a libretto by Ralf Waldschmidt was premiered in Osnabrück. In 2016, Corbett's opera "Die Andere" was premiered in Magdeburg, again to a libretto by the writer Christoph Hein. Based on the story of Abraham, Sarah and Hagar, this opera explores the question at what point one's own principles are abandoned in the face of increasing external pressure. In 2018, Corbett's most recent opera, "San Paolo," based on an unrealized film script by Pier Paolo Pasolini, was premiered, again in Osnabrück. "San Paolo" received the Palatinate Prize for Music in 2018.

Among Corbett's larger orchestral works are three symphonies, "Tympan," "The Immaculate Sands," and "Breathing the Water," as well as the violin concerto, "Yael." The latter two works testify to the composer's literary inclinations, which can also be found in his instrumental music. In "Breathing the Water," texts by the great American poet Denise Levertov, with whom Corbett maintained a correspondence, are juxtaposed with poetry by the Iraqi poet Amal Al-Jouburi, who lives in Germany. This work was commissioned by the Staatskapelle Berlin and premiered in 2006. Yaël, on the other hand, reflects Corbett's intense, decades-long study of the work of Edmond Jabés, an Egyptian writer of Jewish heritage who lived in exile in Paris until his death in 1993. Vocal works on texts by Roland Barthes, Giordano Bruno, Mahmoud Darwish, Christine Lavant, and others are further examples of his literary proclivities. His major chamber music works include "Fractured Eden" for string quartet, "Rasch", for soprano and chamber ensemble, his piano trio and piano quintet, and his autobiographically influenced electric guitar concerto, "Exits", composed for Musikfabrik NRW and guitarist Seth Josel, commissioned by Deutschlandfunk Cologne, and heard on the solo CD "que hora es in paradiso?". There are also many pieces in smaller instrumentations, as well as solo works, often the result of intensive collaboration with the performers of his music. In 2017, for example, Edition Kopernikus released the CD "Postscript" with his piano music, recorded by Florian Heinisch.

Parallel to his primary occupation as composer, Corbett has been active for years as an author of texts on musical topics and as a teacher of composition. Already at Yale University in 1985, Corbett was a "Teaching Fellow in Composition." In 1994, Duke University in Durham, North Carolina appointed him Visiting Professor of Composition and Analysis of Contemporary Music. Since 2006, Corbett has been professor of composition at the Mannheim University of Music and Performing Arts. In 2015, he assumed responsibility for the program of the local Society for New Music. In 2018, Corbett was composer in residence at the Daegu Festival in South Korea. Over the course of his career, he has received commissions from the Berlin Philharmonic, the Staatskapelle Berlin, WDR, SDR, and SWR, among others.

In 2019, "aporia," inspired by texts by Jacques Derrida, was commissioned and premiered by the San Francisco Contemporary Music Players, and in the same year, "The Saddest Red," a response to paintings by the painter Cy Twombly, for accordion and string quartet was written for the Ensemble Wiener Collage. The world premiere of the orchestral piece "Violence and Longing" for the National Orchestra Mannheim was planned for 2020, as well as madrigals based on poems by the Uruguayan poet Delmira Agustini, for the Bregenz Festival; both premieres had to be postponed due to the Corona pandemic. A new work for solo violin and eight solo voices, "Utopia and Intimacy", based on texts by Ernst Bloch, for violinist Nurit Stark and Schola Heidelberg under Walter Nußbaum was scheduled for February 2021, but also had to be postponed. Currently, the premiere is scheduled for June 2021. Releases of his works have appeared on Sony Classical, Cybele, Mode Records, CRI, Edition Zeitklang, Kreuzberg Records, Blue Griffen, Edition Kopernikus, and Ambitus Records. Corbett's music is published and distributed worldwide by Edition C.F. Peters, Leipzig, London and New York.

And what became of his first passion in all this? The love for the guitar - it has remained. Corbett still plays, for example from 2004-2008 as a founding member in the avant-garde techno/house band "Vierte Heimat". He also plays to this day in various improvising formations, always on the spontaneous, lifelong pursuit of the other, the even better idea.

There are no productions for this artist in the Season Schedule of Performances which currently only dates back to 1991.

Artist Information

All information is derived from OPERA America's Season Schedule of Performances and titles databases which date back to 1991. OPERA America is constantly updating this data. If you feel that a work or an artist has been omitted or that information is incorrect, please use the linked forms below.
Title Information Form
Artist Information Form

Works by Artist
Noach
X und Y

 
STORED ADMIN COOKIE *
actor id: 0
name:
company:
email
ind id: 0
memb level: 0
expiration date: 12:00:00 AM
current url: /Applications/NAWD/people.aspx
Login As
* Visible only to OPERA America Administrators for testing purposes. Shows security cookie contents.
 
 
————
National Opera Center
330 Seventh Avenue, New York, NY 10001
212.796.8620   •   Info@operamerica.com
CONNECT WITH US
                 

PARTNERS
 
Terms of Service   •   Privacy Policy   •   Copyright Policy   © Copyright 1995–2024 OPERA America Inc.