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Biography
A renaissance artist for modern times, Lera Auerbach is a widely recognized conductor, pianist, and composer. She is also a published poet and an exhibited visual artist. All of her work is interconnected as part of a cohesive and comprehensive artistic worldview.
Born in the Russian city of Chelyabinsk in the Ural Mountains at the gateway of Siberia, Lera Auerbach has become one of today's most sought after and exciting creative voices. Her performances and music are featured in the world's leading stages – from Vienna's Musikverein and London's Royal Albert Hall to New York's Carnegie Hall and Washington D.C.'s Kennedy Center.
Auerbach's exquisitely crafted, emotional, and boldly imaginative music reached to global audiences. Orchestral collaborations include the New York Philharmonic, Philadelphia Orchestra, National Symphony, Oslo Philharmonic, Munich's Bayerisches Staatsorchester, Staatskapelle Dresden, and Vienna's ORF Radio-Symphonieorchester, among many others. Auerbach's works for orchestra are performed by the world's leading conductors, including Christoph Eschenbach, Alan Gilbert, Vladimir Fedoseyev, Neeme Järvi, Vladimir Jurowski, Charles Dutoit, Andris Nelsons, Osmo Vänskä, Hannu Lintu, and Marin Alsop, to mention only a few.
Her large-scale theater works have been produced in major venues on every continent, including Vienna's Theater an der Wien, New York's Lincoln Center, the Hamburg State Opera, the War Memorial Opera House in San Francisco, the Royal Danish Theater, the Nuremberg State Theater, the Finnish National Theater, Moscow's Stanislavsky, the National Centre for the Performing Arts in Beijing China and the NHK Hall in Tokyo.
Recent season highlights included WienModern's 3.5-hour production of Demons & Angels with Auerbach as the conductor. Washington D.C.'s National Symphony premiered her 4th Symphony “Arctica” with Auerbach as piano soloist – a work commissioned by National Geographic Society alongside orchestras of the Arctic countries. Her 4th Violin Concerto NYx: Fractured Dreams” was commissioned and premiered by the New York Philharmonic with Alan Gilbert and Leonidas Kavakos, and the Vienna Radio Symphony Orchestra premiered her symphonic poem Eve's Lament with Marin Alsop. Most recently, her String Quartet No. 9 “Danksagung” was premiered by the Artemis Quartet as a commission of Leipzig's Gewandhaus, London's Wigmore Hall London, Vienna's Konzerthaus, New York's Carnegie Hall, and Tonhalle Zürich.
Her music is championed and recorded by today's most prominent classical performers including violinists Gidon Kremer, Leonidas Kavakos, Daniel Hope, Hilary Hahn, Vadim Gluzman, Vadim Repin, Julian Rachlin; cellists Alisa Weilerstein, Gautier Capuçon, Alban Gerhardt, David Finckel; violists Kim Kashkashian, Nobuko Imai, and Lawrence Power, and many others.
Auerbach is equally prolific in literature and the visual arts. She incorporates these forms into her professional creative process, often simultaneously expressing ideas visually, in words, and through music. She has published three books of poetry in Russian, and her first English-language book, Excess of Being – in which she explores the rare form of aphorisms. Her next book, an illustrated work for children, A is for Oboe, will be published by Penguin Random House in the fall of 2021. Auerbach has been drawing and painting all her life as part of her creative process. Her visual art is exhibited regularly, included in private collections, and is represented by leading galleries.
Lera Auerbach holds multiple degrees from the Juilliard School in New York and Hannover University of Music, Drama, and Media in Germany. The World Economic Forum in Davos, Switzerland, selected her in 2007 as a Young Global Leader and since 2014 she serves as a Cultural Leader. Internationale Musikverlage Hans Sikorski publishes her work, and recordings are available on Deutsche Grammophon, Nonesuch, Alpha Classics, BIS, Cedille, and many other labels.
Productions
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Artist Information
All information is derived from OPERA America's Season Schedule of Performances and titles databases which date back to 1991. OPERA America is constantly updating this data. If you feel that a work or an artist has been omitted or that information is incorrect, please use the linked forms below. Title Information Form Artist Information Form
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