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Biography
Esser Leopold Breuer (February 6, 1937 – January 3, 2021) was an American playwright, theater director, academic, educator, filmmaker, poet, and lyricist. Breuer taught and directed on six continents.
Breuer was a founding co-artistic director of Mabou Mines Theater Company in New York City, which Breuer began in 1970 with colleagues Philip Glass, Ruth Maleczech, JoAnne Akalaitis, David Warrilow, and Frederick Neumann.[3] Since the birth of the company, Breuer worked with Mabou Mines.
In 2013, Breuer directed the La Divina Caricatura: Part I The Shaggy Dog which was co-produced by Mabou Mines. In 2005, Breuer's previous Mabou Mines production Red Beads, was adapted by Breuer from a Russian folk story, created in collaboration with puppeteer Basil Twist and composer Ushio Torikai.[5] Of the September 2005 New York City premiere, the New York Times critic wrote "...theater as sorcery; it is a crossroads where artistic traditions meet to invent a marvelous common language. It is a fairy tale, a puppet play and a chamber opera… amazing work."
Mabou Mines Dollhouse, a deconstruction of the Ibsen classic, won 2004 Obie Awards for Best Director and Best Performance. The production toured nationally and internationally. Breuer directed high definition video adaptation of stage production for Arte television France, which was aired throughout Europe.
Much of Breuer's work with Mabou Mines premiered at The Public Theater (NYC) under the patronage of the late Joseph Papp, and at the La Mama Experimental Theater Club under the patronage of Ellen Stewart. These include his Obie-winning adaptation of three works by Samuel Beckett: Play, Come and Go and The Lost Ones.
Breuer authored/directed Mabou Mines' trilogy, Animations, including The B Beaver, The Red Horse and The Shaggy Dog Animation, which was awarded the Obie for Best Play in 1978. In 1980 Breuer received two Obies for writing and direction of his play, A Prelude to a Death in Venice. He also wrote and directed An Epidog, the winner of the President's Commission Kennedy Center-American Express Award for Best New Work.
Breuer's best-known work is The Gospel at Colonus, a Pentecostal Gospel rendering of Sophocles' Oedipus at Colonus, created with composer Bob Telson, starring Morgan Freeman and Clarence Fountain. It premiered at the Brooklyn Academy of Music's "Next Wave Festival". It was later performed on Broadway at the Lunt-Fontanne Theater in 1988 for which he was nominated for a Tony Award. The production received numerous awards, including a Pulitzer Prize nomination (1988), an Obie Award for Best Musical (1984), and an Emmy.
The Gospel at Colonus would go on to performances worldwide (Paris, Spoleto, Edinburgh, Moscow, Barcelona, London, Avignon). It was recreated for the 70th Anniversary of New York's legendary Apollo Theater for two weeks in the fall of 2004 starring Charles S. Dutton and Jevetta Steele.
In 1981, with Ruth Maleczech, Lee Breuer directed The Tempest for Joseph Papp's Shakespeare in the Park, starring Raul Julia. Breuer and Maleczech's daughter Clove Galilee played "Young Miranda" in the production.
Breuer's music-theater collaborations with Bob Telson include Sister Suzie Cinema (featuring 14 Karat Soul), which premiered at The Public Theater and was televised on the PBS series, "Alive from Off Center" and “The Warrior Ant” which premiered at BAM in 1988.
Breuer has directed 13 Obie Award-winning productions over a period of more than 40 years including: David Warrilow in The Lost Ones (1974); Bill Raymond in A Prelude to Death in Venice (1979); Ruth Maleczech in Hajj (1986); Yoshida Tamamatsu in The Warrior Ant (1990); Ruth Maleczech, Isabel Monk, Karen Kandel and Greg Mehrten in Mabou Mines Lear (1991); Karen Kandel in Peter and Wendy (1997); and Maude Mitchell in Mabou Mines Dollhouse (2004). His involvement outside of the U.S. includes directing Yi Sang Counts to Thirteen by Sung Rno, which had its debut in South Korea at the Seoul Theater Festival 2000.
Lee taught an acting workshop in New Delhi, India during the summer of 2011 where he wrote and directed a workshop production of La Divina Caricatura. Divina is a Bunraku pop-opera that uses puppetry and draws from the traditional format of Indian epics such as the Mahabharata.
OPERA America/Opera.ca Grants Awarded
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| GRANT NAME | YEAR | The Opera Fund: Audience Development | 2005 |
Productions
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Artist Information
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