Peter Hinton


Director, dramaturg and playwright Peter Hinton has worked across Canada with many theatre companies. He has been the Associate Artistic Director at Theatre Passe Muraille and theCanadian Stage Company in Toronto, Artistic Director of thePlaywrights Theatre Centre in Vancouver, the Dramaturg in Residence at Playwrights' Workshop Montréal, and Artistic Associate of the Stratford Festival. From 2005 to 2012 he Artistic Director of the National Arts Centre English theatre, where he created a resident English theatre company, with actors from across the country, and programmed the NAC's first season of Canadian plays.

His own plays for the stage include FaçadeUrban Voodoo (written with Jim Millan) and a trilogy of three full length plays entitled The Swanne -- George III: The Death of Cupid(2002), Princess Charlotte: The Acts of Venus (2003), and Queen Victoria: The Seduction of Nemesis (2004). Eleven years in the making, all three plays premiered under his direction at the Stratford Festival. In 2006, he co-created with Domini Blythe, and directed the solo work, Fanny Kemble, about the life of the famous British actress and abolitionist.

Peter Hinton has also written the librettos for two operas with composer Peter Hannan: The Diana Cantata, and 12O Songs for the Marquis de Sade, (awarded the Alcan Performing Arts Award in 2002).

Since 1985 he has directed over 80 productions of new plays, classical texts and operas, including premieres of works by Allen Cole (HushThe Crimson Veil), Blake Brooker (Serpent Kills), John Mighton (Possible Worlds), Michael McKenzie (Geometry in Venice) and Marie Clements (Burning Vision). His production of Gloria Montero’s Frida K.premiered at Toronto’s Tarragon Theatre in 1995 and subsequently played to sold-out houses in Canada, Mexico City and Madrid. His productions have twice been invited to the prestigious Festival de Théâtre des Amériques (now Festival TransAmériques) in Montreal: Greg MacArthur’s Girls! Girls! Girls! in 2001, and Marie Clements’ Burning Vision in 2003. In 2007, he partnered with Britain's Royal Shakespeare Company in the world premiere of Margaret Atwood's The Penelopiad. In 2009, he directed Sam Shepherd's Buried Child in a National Arts Centre and Segal Centre for Performing Artsco-production. He made his directing debut at the Shaw Festival in 2011 with When the Rain Stops Falling. He returned in 2013 to direct Oscar Wilde’s Lady Windermere’s Fan, and in 2017 to direct An Octoroon. In March 2017, he directed the premiere of The Millennial Malcontent by Erin Shields at the Tarragon Theatre. For the Canadian Opera Company, he directed a revisionist production of Louis Riel by Harry Somers (music) andMavor Moore (libretto) to show that the opera "represents not only what unifies us, but what divides us" (quoted in Globe and Mail 6 May 17).

Hinton was the recipient of the Jessie Richardson Award for directing in 1995 for his production of Gordon Armstrong’s Scary Stories. In 2009, he was made an Officer of the Order of Canada.

OPERA America/Opera.ca Grants Awarded
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Opera Fund/Canadian Opera Creation Fund2002

Click company name to view productions details.
Modern Baroque OperaThe Diana Cantata2/2/2003 - 2/8/2003
Vancouver Opera120 Songs for the Marquis de Sade3/3/2002 - 3/16/2002

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