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Biography
Yuval Sharon has amassed an unconventional body of work that expands the operatic form. He is founder and co-Artistic Director of The Industry in Los Angeles and the Gary L. Wasserman Artistic Director of Detroit Opera.
Sharon made his debut with Detroit Opera in 2020 with Twilight: Gods, an innovative adaptation of Wagner's Götterdämmerung staged in the Detroit Opera House Parking Center and, with Chicago Lyric Opera, the Millennium Lakeside Parking Garage. During the 2021-22 season—his first full season as Artistic Director—Sharon leads new productions of Ragnar Kjartansson's Bliss, staged in the historic Michigan Building Theatre, and La bohème, presented in reverse order in the Detroit Opera House. In addition, he revisits his cult classic production of Die Zauberflöte with the Berlin State Opera in the 2021-22 season.
With The Industry, Sharon has directed and produced new operas in moving vehicles, operating train stations, Hollywood sound stages, and various “non-spaces” such as warehouses, parking lots, and escalator corridors. From 2016-2019, Sharon was the first Artist-Collaborator at the Los Angeles Philharmonic, creating nine projects that included newly commissioned works, site-specific installations, and performances outside the hall. His residency culminated in a major revival of Meredith Monk's opera ATLAS, making him the first director Monk entrusted with a new production of her work.
The first American ever invited to direct at Bayreuth, Sharon distinguished himself with a boldly progressive Lohengrin in 2018, using subtle dramatic direction to completely overhaul the opera into a critique of entrenched power structures. He is the recipient of the 2014 Götz Friedrich Prize in Germany for his production of John Adams's Doctor Atomic, originally produced at the Staatstheater Karlsruhe and later presented in Seville's Teatro de la Maestranza. He also directed a landmark production of John Cage's Song Books at the San Francisco Symphony and Carnegie Hall with Joan La Barbara, Meredith Monk, and Jessye Norman. His 2016 production of Peter Eötvös's Three Sisters at the Wiener Staatsoper led Opernwelt to call him "one of the most interesting arrivals on the musical landscape." His production of Cunning Little Vixen, originally produced at the Cleveland Orchestra, was the first fully-staged opera ever presented in Vienna's Musikverein in October 2017.
In 2017, Sharon was honored with a MacArthur Fellowship and a Foundation for Contemporary Art grant for theater.
Productions
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Artist Information
All information is derived from OPERA America's Season Schedule of Performances and titles databases which date back to 1991. OPERA America is constantly updating this data. If you feel that a work or an artist has been omitted or that information is incorrect, please use the linked forms below. Title Information Form Artist Information Form
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