Login      
Acquanetta
PREMIERE6/25/2005 — Oper Aachen, Germany
COMPOSERMichael Gordon   
LIBRETTISTDeborah Artman   
Beth Morrison Projects
View Company in Member Directory

View Performance Database Listing
DATETIMELOCATION
1/09/2018--Brooklyn, NY
1/10/2018--Brooklyn, NY
1/11/2018--Brooklyn, NY
1/12/2018--Brooklyn, NY
1/13/2018--Brooklyn, NY
1/14/2018--Brooklyn, NY
Synopsis
"In 1943, a former cheesecake model, known only as “Acquanetta,” lit up the screen in the B-movie horror film and now cult classic, Captive Wild Woman. Stunning and exotic, Acquanetta played the untameable and gorgeous creation resulting from a mad scientist’s experiments on an ape, a role the young actress sizzled in and played so well a sequel was soon in the can. So began a brief career in bread-and-butter films that ended only a few years later when Acquanetta inexplicably walked away from the Hollywood studio system and swanned off to Mexico.

Her past is a mystery. Because of her come-hither stare and sensuous pout, Walter Winchell nicknamed her “The Venezuelan Volcano.” In interviews, she claimed Native American roots, and her obituary in 2004 stated that she was born on an Indian reservation near Cheyenne, Wyoming. Who was Acquanetta, and why did she walk out on her contract with Universal Pictures at the height of her career?

In Acquanetta, the mock serious, campy spirit of horror movies is turned inside out in a bravura, one-act deconstruction of the five minutes that changed Acquanetta’s life forever. The mad scientist Doctor, the insistent Ape, the reluctant Brainy Woman, the visionary Director and the beautiful monster herself, Acquanetta, gather in this re-imagining of that fateful experiment. In soaring, sometimes comic and always indelible songs that perfectly capture the heightened drama of horror films, these vivid characters reveal their inner longings and emotional shadows in what is ultimately a haunting meditation on the meaning of identity, transformation, stereotypes and typecasting, set in the hey-dey of Hollywood gloss."

–Deborah Artman
MOST PRODUCED SINCE 2000
RANKTITLEPRODUCTIONS
442Acquanetta2
442A Distant Love: Songs of John and Abigail Adams2
442A Florentine Tragedy2
442A Gentleman's Guide to Love and Murder2
442A Month in the Country2
442A Water Bird Talk2
This work ranks as the #195 most produced North American title since 2000.
Don’t see your company’s next performance?
Join OPERA America as an Organizational Member to post your productions to the National Opera Calendar and Performance Database. Learn more.

 
STORED ADMIN COOKIE *
actor id: 0
name:
company:
email
ind id: 0
memb level: 0
expiration date: 12:00:00 AM
current url: /Applications/schedule/details.aspx
Login As
* Visible only to OPERA America Administrators for testing purposes. Shows security cookie contents.
 
 
————
National Opera Center
330 Seventh Avenue, New York, NY 10001
212.796.8620   •   Info@operamerica.com
CONNECT WITH US
                 

PARTNERS
 
Terms of Service   •   Privacy Policy   •   Copyright Policy   © Copyright 1995–2024 OPERA America Inc.