The Tender Land is an opera with music by Aaron Copland and libretto by Horace Everett, a pseudonym for Erik Johns. The opera tells of a farm family in the Midwest of the United States. Copland was inspired to write this opera after viewing the Depression-era photographs of Walker Evans and reading James Agee's Let Us Now Praise Famous Men. He wrote the work between 1952 and 1954 for the NBC Television Opera Workshop, with the intention of its being presented on television. However, the television producers rejected the opera.

Eventually, the work had its premiere on April 1, 1954 at the New York City Opera, with Thomas Schippers as the conductor, Jerome Robbins as the director, and a cast including the young Norman Treigle. It was poorly received, with criticism focused on the weaknesses of the opera's characters and the storyline. Later analysis by Christopher Patton stated that one underlying cause of the opera's failure at the premiere was the contrast between writing for the intimate medium of television, the originally intended medium of the work, versus the more public and larger-scale setting of an opera house.

Patton has also commented on the role of Erik Johns' interest in the Vedanta branch of Hinduism in the libretto.

Copland and Johns made revisions to the opera, expanding Act 2 for performances at Tanglewood in August 1954, and making further adjustments for Oberlin College in 1955. With the composer's agreement, Murry Sidlin re-scored the work with reduced forces - the same scoring as the original 13 instrument version of Appalachian Spring - for a production in New Haven in 1987, a staging that ran for more than 50 performances. Sidlin also added two of Copland's Old American Songs to the central party scene.

On July 28, 1965, the composer conducted a concert version of his work, as part of the French-American Festival, with the New York Philharmonic. In the cast were Joy Clements, Claramae Turner, Richard Cassilly, Norman Treigle, and Richard Fredricks. Three days later, Columbia recorded an abridged version of the opera, again conducted by Copland, at the Manhattan Center, with the same cast. In 2000, Sony released the historic performance on compact disc.