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In a Grove
PREMIERE2/19/2022
COMPOSERChristopher Cerrone   
LIBRETTISTStephanie Fleischmann   
Pittsburgh Opera
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DATETIMELOCATION
2/19/20228:00 PMPittsburgh Opera Headquarters
Pittsburgh, PA
2/22/20227:00 PMPittsburgh Opera Headquarters
Pittsburgh, PA
2/25/20227:30 PMPittsburgh Opera Headquarters
Pittsburgh, PA
2/27/20222:00 PMPittsburgh Opera Headquarters
Pittsburgh, PA
3/01/20227:00 PMPittsburgh Opera Headquarters
Pittsburgh, PA
3/03/20227:30 PMPittsburgh Opera Headquarters
Pittsburgh, PA
Synopsis
A silent, waiting grove. A violent encounter between a Samurai and his wife and a notorious brigand. Seven testimonies, each offering up a different perspective on the crime. Inspired by Ryūnosuke Akutagawa’s eponymous short story, In a Grove is sited on the boundary between installation and chamber opera.

As the audience enters, the piece has already begun. The performers build the environment, which becomes a haunted temple to which the witnesses and perpetrators of the crime have come to reckon with the truth. The audience is complicit in this ritual, inhabiting a shared space with the performers that radically expands and contracts over the course of the work. As the work progresses, the temple opens up to reveal the grove, which now encompasses audience and performers alike.

Four singers play eight roles, each assuming the character of both witness and participant in the crime. Six instrumentalists also function as characters, each in concert with a different testimonial. Dispersed throughout the space and accompanied by electronics throughout, the instruments form the architecture of this world. As the testimonies unfold, singers and players shift the sonic terrain and the audience’s relationship to the drama.

The score is both lush and menacing, engendering an air of suspense. Testimonies overlay, evoking the imprecise nature of memory as musical ideas slip in and out of focus. The visual aesthetic is stripped down, verging on austere.

Each of the central characters claims responsibility for the crime. In the retelling of the events from multiple perspectives, the Samurai dies three times, as does Masago, the young woman at the heart of the story, who comes to the temple seeking refuge. Yet she who wants nothing more than to end her life cannot seem to die. She is destined to relive the events over and over again.

Our search for the truth remains as elusive today as when Akutagawa wrote “In a Grove” in 1922. In an age of alternative facts, exploring the possibilities of truth becomes all the more essential. Shifting from intimate to epic and back, In a Grove will be a powerfully unsettling, haunting experience designed to be both confounding and crystalline, disjunctive yet deeply emotional.
MOST PRODUCED SINCE 2000
RANKTITLEPRODUCTIONS
656In a Grove1
656120 Songs for the Marquis de Sade1
6564:48 Psychosis1
656A Blizzard On Marblehead Neck1
656A Capacity for Evil1
656A Cask of Amontillado1
This work ranks as the #328 most produced North American title since 2000.
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