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The first in Glass' trilogy of operas about men who changed the world through the power of their ideas, Einstein's sub-text is science. The opera is non-narrative in form, and the producer has two options: to reproduce the original Robert Wilson production (which exists on videotape), or to create a new series of stage and dance pictures based on themes relating to the life of Albert Einstein. The opera is structured in four 'acts' connected by 'knee plays', or intermezzi.
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