Login      
L'arlesiana
PREMIERE11/27/1897 — Teatro Lirico (Milan)
COMPOSERFrancesco Cilea   
LIBRETTISTLeopoldo Marenco   
Sarasota Opera
View Company in Member Directory

View Performance Database Listing
DATETIMELOCATION
2/02/1998--Sarasota, FL
2/24/1998--Sarasota, FL
2/26/1998--Sarasota, FL
3/03/1998--Sarasota, FL
3/11/1998--Sarasota, FL
3/14/1998--Sarasota, FL
3/22/1998--Sarasota, FL
Synopsis
Act 1
An old shepherd Baldassarre, tells a story to l'Innocente (a younger son of Rosa Mamai) about a little goat fighting with a hungry wolf all night long ("Come due tizzi accesi"). At the break of dawn the goat collapses and dies. l'Innocente is slightly developmentally delayed and rumour has it that the child brings good fortune to the household. L'Innocente is neglected by everyone in the family except Baldassarre.

Rosa Mamai is worried about her older son, Federico, who is madly in love with a woman from Arles. She asks her brother, Marco, to gather some information about this unknown woman.

Vivetta arrives at the farmhouse. She has always loved Federico but she feels hurt knowing of Federico's obsession for l'Arlesiana. As Rosa and Vivetta are talking, she sees L'Innocente up on the edge of the window. Baldassarre pulls the child back, and Rosa shudders, "If anyone should ever fall from that height!" Federico enters, and shortly afterwards, Marco returns with news from Arles. Marco says Rosa has no choice but to consent to the marriage plans.

While Baldassarre is at the farmyard, he is approached by Metifio, who asks to speak to Rosa. Metifio tells Rosa that he is l'Arlesiana's lover and the girl's parents are aware of their relationship but rejected him when the prospect of marriage with Federico arose. He shows Rosa and Baldassarre two letters to prove his statements. When Metfio leaves, Federico enters. His mother shows him the letters and asks him to read them. Federico is devastated over the treachery of the woman he loves.

Act 2
Rosa and Vivetta search for Federico in the countryside. He has disappeared from home since the previous day. Rosa counsels Vivetta to behave more seductively with Federico and to distract him from thoughts of l'Arlesiana. Baldassarre and l'Innocente enter.

L'Innocente discovers Federico has been hiding in the sheepfold. Baldassarre urges Federico to forget his sorrow by helping him with work ("Vieni con me sui monti"). After Baldassarre has gone, Federico pulls out the letters and contemplates them bitterly. L'Innocente falls asleep while repeating a line from the old shepherd's story about the goat, and that leads into Federico's lament ("È la solita storia del pastore").

Vivetta enters and awkwardly tries to follow Rosa's advice as to how to seduce Federico. She tells him that she loves him but Federico rejects her. Vivetta sobs and draws Rosa into the scene. Rosa offers her consent to his marriage with l'Arlesiana. Federico is moved by his mother's offer but he refuses, swearing that he will only give his name to a woman worthy of it. He calls for Vivetta and asks her to help him to forget about the woman he loves.

Act 3
With preparations for Federico and Vivetta's wedding beginning, Federico affirms that he now only thinks of Vivetta. Metifio enters and runs into Baldassarre. He asks him to return his letters, but Baldassarre says he had delivered the letters to Metifio's father. However, Metifio had not yet received them because he was in Arles. Metifio reveals his plans to kidnap l'Arlesiana. Federico overhears the conversation and is overcome with his old jealousy. Vivetta pleads with him to move on and go with her.

Baldassarre advises Metifio not to ruin his life for the unworthy woman. In a rage, Federico attempts to assault Metifio with a sledgehammer but they are separated by Baldassarre and Rosa. When the situation has calmed down, Rosa remains alone and laments the trials of motherhood ("Esser madre è un inferno"). L'Innocente awakes and tells his mother that she can go along to bed. He says he will keep watch over his brother. Rosa kisses him and caresses him as she never has before, but she sends him back to bed.

Federico is half-delirious, repeating the last lines of the shepherd's story about the goat fighting with the wolf all night and falling dead at the break of dawn. He pictures how l' Arlesiana is being carried away on Metifio's horse. Rosa runs to him as Federico heads for the hayloft. He believes he hears l'Arlesiana's cries and, as his mother tries to stop him, he climbs up to the hayloft and jumps out of the window.
Don’t see your company’s next performance?
Join OPERA America as an Organizational Member to post your productions to the National Opera Calendar and Performance Database. Learn more.

 
STORED ADMIN COOKIE *
actor id: 0
name:
company:
email
ind id: 0
memb level: 0
expiration date: 12:00:00 AM
current url: /Applications/schedule/details.aspx
Login As
* Visible only to OPERA America Administrators for testing purposes. Shows security cookie contents.
 
 
————
National Opera Center
330 Seventh Avenue, New York, NY 10001
212.796.8620   •   Info@operamerica.com
CONNECT WITH US
                 

PARTNERS
 
Terms of Service   •   Privacy Policy   •   Copyright Policy   © Copyright 1995–2024 OPERA America Inc.