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Les Metamorphoses de Psyche
PREMIERE4/19/1678 — Academie Royale de Musique, Theatre du Palais-Royal, Paris
COMPOSERJean-Baptiste Lully   
LIBRETTISTThomas Corneille   
Boston Early Music Festival
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DATETIMELOCATION
6/06/2007--Cambridge, MA
6/13/2007--Cambridge, MA
6/15/2007--Cambridge, MA
6/16/2007--Cambridge, MA
6/17/2007--Cambridge, MA
6/23/2007--Cambridge, MA
6/24/2007--Cambridge, MA
Synopsis
The prologues to the two works are identical up until the arrival of Venus. In Corneille's text, Venus banishes the followers of Flora who had summoned her and calls her son Cupid to punish Psyché, whom mortals revere as a second Venus.

In the first act, Psyché's sisters learn with the spectators that Psyché must be sacrificed to a dragon that has been ravaging the kingdom. The plainte italienne from Molière's play is sung to represent the mourning of the people. The sisters flee at Psyché's arrival and it is her father who informs her of the oracle that has pronounced her doom. Psyché unhesitatingly climbs the rock to offer herself in sacrifice, much to her father's consternation, and is carried away by Zephyrs.

Act two opens with Vulcan and a group of cyclops who are building a palace for Psyché at Cupid's bidding. Just before Vulcan can complete the palace, he is surprised by his wife Venus who discovers that her son has betrayed her. She quarrels with her husband and vows revenge against her son. Psyché awakes and is courted by Cupid. The act ends in a happy love scene, but Cupid must hide his identity and begins a divertissement sung by three nymphs to divert Psyché's attention.

In act three, Venus disguises herself as a Nymph and gives Psyché a lamp with which to discover the identity of her lover. Psyché is overjoyed to discover that her lover is Cupid himself, but the light of the lamp awakes the god who flees. At the same time, the palace disappears and Psyché is left in a desolate wilderness. Venus exposes her treachery to Psyché and further accuses her of trying to marry her way into immortality. She forces her to descend to hell and recover a box wherein Proserpine keeps her beauty. Psyché, in despair, attempts to drown herself, but is saved by the River God who peacefully accompanies her to the underworld.

In act four, Psyché resists the torture of the three Furies in order to meet the Nymphs of the Acheron. These nymphs banish the Furies, give Psyché the box she is looking for and conduct her to Venus's garden where act five is set.

In act five, Psyché opens the box, hoping to restore any beauty she might have lost during her recent hardships. But instead of beauty, the box exudes a poisonous vapour that kills Psyché. Venus appears to rejoice and brings Psyché back to life in order to gloat and torture her further. She is amazed to see that Psyché is still in love with her son despite so many hardships. But she is resolved to continue punishing her. Mercury descends and begs her to stop, recounting the chaos and suffering in the universe that has been produced by Cupid's displeasure. Venus takes no heed and Jupiter descends himself to calm the goddess and pronounce Psyché immortal. The lovers are united and the opera ends with a magnificent ballet, identical to the one closing the 1671 version.
Alternate Titles/Spellings
Les Métamorphoses de Psyché
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