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Biography
Deborah was born on July 19, 1951 in Holyoke, MA. She was the daughter of the late Richard and Franze Wiedorn Atherton and grew up in Pittsburgh, PA. In 1969, she entered Yale University, one of the first group of women admitted as undergraduates. Deborah graduated from Yale in 1974 and moved to New York City in 1977 where she built a career as a librettist, fiction writer and arts administrator.
Her work for music theater and opera was presented by Lincoln Center Serious Fun, Opera Theater of St. Louis, CAP21, the Woman Becoming Festival of the Culture Project, Parabola Arts, the Leonard Nimoy Thalia Theater at Symphony Space, and National Public Radio. She received a commission for her first opera, Under the Double Moon, written with Anthony Davis, from Opera Theater of St. Louis and for her second, Mary Shelley, written with Allan Jaffe, from Parabola Arts. Under the Double Moon was published in book form by Opera Theater of St. Louis and G. Schirmer. At the time of her death, she was working on a new music theater piece, Songs of the City, with Allan Jaffe.
Deborah was a fellow at the Eugene O'Neill Music Theater Conference and an Artist-in-Residence at Opera Theater of St. Louis and the Palenville Arts Colony. Her short stories appeared in a number of literary magazines, including The Distillery, Paper Streets, Reflections: A Literary Journal, Westview, Empire, and others. She gave readings of her fiction for Serial Underground at the Cornelia Street Cafe in New York City, and, with her writing group, River Writers of Manhattan, at the Jazz Gallery and the Mercantile Library.
During her career, Deborah was Executive Director of the American Composers Alliance, Associate Director of the American Music Center and a senior development writer for Girl Scouts of the USA, overseeing fundraising for their national arts initiative. She maintained a simultaneous arts consulting practice. Clients included the Center for Contemporary Opera, Ensemble Pi, the Brian Groder Ensemble, MEH Multimedia, RPI Acoustic Architecture, the American Composers Alliance, and New England Voices. She worked with a number of published authors and other professionals throughout her career, helping them to bring their work to print. Deborah was the Executive Board Secretary of the Interstitial Arts Foundation and blogged on their website.
OPERA America/Opera.ca Grants Awarded
Click here to learn more about OPERA America granting programs.
| GRANT NAME | YEAR | Opera for the Eighties and Beyond | 1989 | Opera for the Eighties and Beyond | 1989 | Opera for the Eighties and Beyond | 1989 | Opera for the Eighties and Beyond | 1989 | Opera for the Eighties and Beyond | 1989 | Opera for the Eighties and Beyond | 1988 | Opera for the Eighties and Beyond | 1986 | Opera for the Eighties and Beyond | 1986 |
There are no productions for this artist in the Season Schedule of Performances which currently only dates back to 1991.
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Artist Information
All information is derived from OPERA America's Season Schedule of Performances and titles databases which date back to 1991. OPERA America is constantly updating this data. If you feel that a work or an artist has been omitted or that information is incorrect, please use the linked forms below. Title Information Form Artist Information Form
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